Félicia Atkinson’s “Sans Visage” reimagines the score to Georges Franju’s 1960 horror “Les Yeux Sans Visage” — a perfect assignment for a master of creepy-beautiful soundscapes. Built around piano and studio electronics and dedicated to Gisèle Pelicot, it’s a perfect example of how experimental music can bridge the gaps presented by time, genre and gender… Its spectral beauty is lingering and at times uncomfortable, but never less than enthralling.

BaBa ZuLa return with “XXX”, out 25 September via Glitterbeat — thirty years on and still untamed. Lead single “Kutsal Zeytin Halayı”, a sunbaked motorik trance arriving with a visualiser that celebrates the olive tree as a sacred symbol — “We see nature under constant pressure. We want to stand on the side of those who defend it.”

Myer U Clark’s “Tinderbox” is astonishingly accomplished for a debut, recalling the late-’60s Canterbury scene of Kevin Ayers, Robert Wyatt and Caravan. There’s a clarity of vision, matched by adroit musicianship and a singular conception of songwriting — a formidable first album on Broadside Hacks.

Johanna Samuels shares the video for “Blue vs. Pinkerton”, the new single from “Sorry, Kid”. Built around a teenage debate over Weezer’s “Blue Album” and “Pinkerton”, the song grew from a prompt to capture a time and place; Samuels chose her high-school years. Recorded to tape with Jonathan Rado, the album lands August 14th.

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