North Carolina singer-songwriter MC Taylor, the creative force behind Hiss Golden Messenger, has announced his forthcoming album I’m People, set for release May 1st via Chrysalis Records. The announcement arrives alongside “In The Middle Of It,” a desert-soaked lead single accompanied by a lyric video that captures the wandering spirit of Taylor’s latest work.

Gregory Uhlmann shares “Burnt Toast,” the second single from Extra Stars (out March 6 via International Anthem), demonstrating his distinctive ability to transform guitar tones in real time. The track moves through warring syncopations, synthetic glissandos, and stereo warbles, showcasing the rhythm-forward approach that defines his forthcoming album. Watch him performing live at International Anthem Studios in Chicago.

Ora Cogan shares “Division,” a stark, reverberant track from her Sacred Bones debut Hard Hearted Woman, out March 13th. Her voice cuts through cavernous space like a warning flare, pleading against division and cruelty. The gothic video unfolds as a morality play featuring three symbolic beings. Weaving haunted folk and psych-rock, the album captures resilience in fractured times.

OHYUNG has shared “nevada,” the second single from IOWA, arriving March 6th. The track opens with a field-recorded boom—looping throughout as glacial melodies pulse beneath choral voices and wailing synths. The album marks Lia Ouyang Rusli’s return to ambient music, documenting her year in Iowa City with ghostly textures built from field recordings and devotional samples.

Anjimile releases Waits For Me, the second single from You’re Free to Go. “When I was a little girl, I wanted to be free… When I was a little boy, I wanted to be real,” he sings, affirming his inner child through warm acoustic guitar and glimmering synths. Produced by Brad Cook, the album traces years of transformation—from grief to renewal, asking what happens when you let love in.

more eaze has shared “healing attempt,” an adventurous avant-pop single from multi-instrumentalist mari rubio’s forthcoming album ‘sentence structure in the country,’ out March 20th via Thrill Jockey. The track weaves resolute vocals and acrobatic harmonies through layers of strings, guitar, banjo, and stuttering electronics—a gently pulsing composition adorned with lush, unpredictable textural flourishes mirroring the song’s themes of navigating pain.

White Fence is releasing a new album, Orange, on April 24th. The record marks Tim Presley’s first White Fence release in seven years and was produced by Ty Segall at his Harmonizer II studio. Watch the video for lead single ‘Your Eyes’ that opens with gut-punching snare hits before rolling into sunny guitar strums, building toward a power chorus that showcases Presley’s direct, punkish delivery.

Bonnie “Prince” Billy has shared “Hey Little,” the second single from his forthcoming album We Are Together Again, out March 6th via Domino Records. The track features Catherine Irwin on vocals and string arrangements inspired by Madonna’s “Dear Jessie.” The video, shot on film and incorporating double-exposure techniques, was filmed in a Louisville indoor pool and draws inspiration from the classic Burt Lancaster film The Swimmer.

My Precious Bunny, the solo project from Lily Wolter of Penelope Isles, announces her debut album A Moment In My Eyes, out May 22nd via Bella Union. Co-produced with Allister Kellaway, the album shimmers with warped pop sensibilities, saxophone bursts and warm synths. Lead single ‘I Go Up, You Go Down’ reflects on heartbreak during lockdown and the world collapsing. Watch the accompanying video.

Irish-born, Bristol-based artist Jenny Lindfors, who records as Sailing Stones, premieres the video for new single A Promise To Love, out February 11th. The track is the first from her sophomore album Slow Magic, due July 3rd. The song explores the colour red and the fractured, otherworldly quality of early morning parenthood, capturing moments suspended between celestial visitation and personal struggle.

Shakey Graves has released “When the Love is New,” an intimate folk-rock single accompanied by a self-directed video. The release follows sold-out performances in Austin for the annual Shakey Graves Day celebration and a “pay-what-you-want” Bandcamp offering benefiting the Health Alliance for Austin Musicians, continuing the DIY artist’s commitment to his musical community.

Twenty-five years into a career that helped define bedroom pop, Mirah continues to probe the human experience with “Bride of Frankenstein,” the latest preview from her forthcoming album Dedication. The rolling, vaporous track examines relationships over time while blurring the lines between Mary Shelley’s iconic characters to explore profound questions about nature versus nurture and identity.