Joan Shelley will reissue “Over and Even” on October 16th via No Quarter. Her acclaimed 2015 album — recorded across two days in a Kentucky farmhouse — returns with eight unheard demos, unearthed by husband and collaborator Nathan Salsburg from a CD-R of tape machine recordings she made for him in late 2014. “Jenny Come In (Demo)” is out now.
Mali Obomsawin announces “Automatic,” her second solo album, out October 16th via Out Of Your Head Records. Pairing her voice with archival Abenaki recordings processed by turntablist Andrew Broder, the eight-track album grew from a disorienting period following her breakout debut “Sweet Tooth.” Collaborators include Taylor Ho Bynum and guitarist Magdalena Abrego of Deerlady. Title track out now.
Duffy x Uhlmann share “Nylon Waiting Room,” the third and final single from “Hot Creek,” due 14 August on Orindal Records. At fifty-one seconds long and accompanied by a Christina Huang visualiser, it’s the last taste of a record built from two guitars and nothing else, named after a geothermal spring in Mono County, California.
“Allison de Groot & Rich Ruth” started as a plan for Rich Ruth to produce a solo banjo record for de Groot. Over a year in his Nashville studio, it became something else — a collaborative debut where clawhammer banjo runs through loops and delay into synthesizers. Acoustic tradition and electronic texture are inseparable from the first note.
Carson McHone is our latest “Off the Shelf” guest, picking ten objects from home ahead of her UK and European tour. From a Langston Hughes poetry book held together by duct tape to a Robin Williamson painting and a Swedish flea-market tambourine that sounds terrible — stories of travel, family and creative life.
Setting have shared “Your Destiny Distresses Me,” a Bandcamp-exclusive single from the same Drop of Sun sessions in Asheville that produced their self-titled album for Thrill Jockey. The nearly eight-minute track draws on acoustic sound sources and dense binaural synth — a piece the trio recognised early as belonging in its own isolated context.
Lael Neale has shared “Slip Away,” the first single from her new album “As Killers Do,” out November 20th on her own new label, Consensual Sound. The song comes with a stop-motion video built from her own paintings, and the album was recorded on a cassette 8-track in an Echo Park kitchen. She tours through September, including Green Man Festival.
Bill Baird shares “Karma Loan,” the latest single from forthcoming album “Life Creates Itself,” due September 25th on Royal Oakie Records. Recorded at Sear Sound in New York City in a single day, produced by Jasper Leach and mastered by KRAMER, the album draws on Doug Sahm, Roky Erickson, Arthur Russell and Captain Beefheart, marking Baird’s return to San Antonio after years of wandering.
Mama's Broke – Reunion
The Powers Ensemble – Kindling
Creekbed Carter Hogan – Peasants Revolt
Cinder Well – A Blooming Body
Johnny Bell – Mountain States
Myer U Clark – Tinderbox
Sailing Stones – Slow Magic
Leah Senior – Pt. Roadknight
Frankie Archer – The Dance of Death
This site uses cookies. By continuing to use the site you consent to their use. Close and Accept Use of Cookies on KLOF Mag
