Adam Ross has become a lynchpin of the ever-fertile Scottish scene. As a songwriter, he is deceptively gentle: his melodies scurry, bound or lope along, sometimes jaunty, sometimes suffused with a light melancholy, while his lyrics are always witty and frequently biting. “Bring On the Apathy”, his third album under his own name, is his most mature and rewarding yet.
Abigail Lapell, whose new album “Shadow Child” is out now, selects ten meaningful objects from her home for KLOF’s Off the Shelf series. Her picks span a wooden dala horse picked up in Stockholm while touring with baby Charlie, sand timers that help with focus, marionettes from a favourite music video, and the hood ornament of a beloved camper van.
Félicia Atkinson announces “SANS VISAGE,” a reimagined score for Georges Franju’s 1960 horror “Les yeux sans visage,” out June 26 via Viernulvier Records. Following her recent collaboration with Christina Vantzou, the 34-minute album embeds piano in electroacoustic textures and is dedicated to Gisèle Pelicot. Lead preview “Les Yeux II” is available to hear now.
Sofra Trio release their debut EP “New Dawn” today via Worlds Within Worlds — a powerful meeting of musical traditions from Syria, Türkiye and the Balkans. Recorded live in a single take in Helsinki, the trio of Melisa Yıldırım (kamancha), Merve Abdurrahmani (piano) and Hadi Hrekes (percussion) move fluidly between composition and improvisation.
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