On their new EP, The Walls Around Ballyfin, the Leeds-based septet Awen Ensemble set sail for Ireland. Listen to their mesmerising lead single and title track, on which they bring a new lease of life to a forgotten folk song and a tune written by their drummer Eddie Bowes’s great-grandfather in County Laoise, Ireland.
Andrew Farmer, aka FRMR, has shared ‘Echinacea’, the new single from his second album, Ochre, out on August 28th via Bluestack Records. The nine-track album continues the ecological songwriting of his 2021 debut, Amelanchier, and broadens its sound alongside contributions from Michael Mormecha, Linley Hamilton, Duke Special, Luke Sital-Singh, and more.
Jake Xerxes Fussell shares “Boney” and “Boll Weevil,” two new singles from “The Old Beloved Path,” out September 18th via Fat Possum Records. “Boney” resurrects a rarely-recorded maritime chantey about Napoleon, while “Boll Weevil” draws from Charley Patton and Blind Willie McTell, reimagining a traditional standard about the invasive bug, but “like so many of us, he’s looking for a home.”
The Black Wizards have shared “Beat,” the final single from “Force Majeure & The Acts of God,” due September 4th via Hassle Records. It’s the only song on the album built drum beat-first, creeping through its shadowy opening before erupting into muscular desert-rock riffs. The Porto trio’s fourth album marks a decisive break from their earlier stoner-rock.
Johnny and Lillie Flynn have announced “Beam Cottage,” their first collaborative album, due 6th November via Transgressive Records. Produced by Charlie Andrew, it features new songs, covers of childhood favourites as well as reworkings from Johnny’s catalogue. Listen to “The Ghost of O’Donahue”, a song written in Ireland almost 20 years ago but now cast in a meaningful new light.
Tiarn is a gorgeous sophomore record by Australian ambient-folk producer, composer and multi-instrumentalist Hana Stretton. Like its predecessor, it comes alive off the record, a living and breathing tapestry of sound. Where Soon found its focus on the Australian bush, this latest project casts its gaze on the endless shores of the Pacific Ocean, where Stretton’s boundless textural explorations reflect a world suspended in blue.
Mama’s Broke’s Amy Lou Keeler and Lisa Maria discuss “Reunion,” their latest album, one of stark emotion and stunning but subtle playing. Born from Nova Scotian roots, Appalachian tradition and Eastern European influences, their deliciously dark folk resists easy labels. The pair talk origins, co-writing, folk as political expression, and the collective feeling that keeps their collaboration fresh after a decade on the road.
Rowena Wise’s “Bad Things Feel Good*” expands on her impressive debut with quiet sincerity and intimacy as calling cards. She moves between swooping maximalism and spine-tingling closeness, juggling contradictory elements. The mess has been transmuted into something beautiful, with a skillfully directed emotional sting—the bigger picture without losing sight of small details—the perfect soundtrack to contemporary emotional life.
Mama's Broke – Reunion
Hana Stretton – Tiarn
Rowena Wise – Bad Things Feel Good*
Blake Hornsby – Brugmansia
Nora Stanley – Glass
The Powers Ensemble – Kindling
Creekbed Carter Hogan – Peasants Revolt
Cinder Well – A Blooming Body
Johnny Bell – Mountain States
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