Jeffrey Alexander and the Heavy Lidders’ “Liquid Donnon” is a record that gives every track the space and time it needs to reach its destination. It draws together dusty folk, cosmic jazz, deep psych, and free improvisation. For those who follow Alexander, the concert tapers included, this is essential.

D.C Cross’s “Open Guitar (Volume Two)” documents thirteen acoustic guitar improvisations across 3.5 hours, using locations across Australia — and their ambient sounds — to add subtle texture. The constant rush of water on Rainforest Maleny, the bird calls that punctuate This Sound at Dusk (Hobbit Tree): these details allow Cross to ease up and let the natural world share the space. Complex, experienced playing; take some time and explore.

On “Just A Day”, The Hanging Stars strip their sound back to its essence with the help of producer Gerard Love. Richard Olson continues to demonstrate his facility for tapping into the most memorable tunes while bringing to bear the wisdom and empathy that only life experience brings. The album proves the opposite of its title — they’re in it for the long haul.

case/lang/veirs have announced a 10th anniversary deluxe edition of their self-titled 2016 album, due 4 September via Anti- Records. Alongside comes “Accidental Tattoo”, a previously-unreleased track written by all three. The expanded edition adds the new song and 12 live recordings from the original tour to the album’s 14 tracks.

Featured Albums of the Month

Sam Carter – Sam Carter Sings Nic Jones
Lady Maisery and Jimmy Aldridge & Sid Goldsmith – Wakefire: A Summer Album

On Our Substack

Folk Revisited: Shirley Collins — Part 3 (Desert Island Discs, Crowlink, Archangel Hill, and more Personal Favourites) by Alex Gallacher

In the final part of our Folk Revisted three-parter on Shirley Collins, we learn about who else she likes to listen to and take a deep dive into her Crowlink EP (2021) and Archangel Hill (2023)

Read on Substack

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