May Day wears two faces — one rooted in nature and ritual, one rooted in struggle – International Workers’ Day. This extra-long Mixtape honours both, with Gil Scott-Heron’s enduring call to action, a Wampís-Aboutface collaboration drawn from the Peruvian Amazon, The MerKaBa Brotherhood’s hermetic ritual textures, the deep blues of Robert Petway, Bonny Billy’s communal warmth, and strange new turns from Tenniscoats, Trio Tekke and Wax Machine.
To celebrate the release of Gallants, Jim Moray is sharing a live performance of “The Nightingale,” recorded at The Arch — a 140-year-old former church in Southport — with his full live band. The recording is taken from a complete live session premiering at 8pm on Sunday May 3rd on YouTube, free to watch with a pay-what-you-want donation ticket available.
Maisy Owen’s debut Dark On A Sunny Day is a singer-songwriter album that, for a first attempt, shows remarkable maturity and a kind of timelessness in her style. Even when stripped down to the bare bones of voice and guitar, it still has enough detail to hold its spell. Maisy Owen sounds like she has a fascinating journey ahead.
White Fence’s Orange, out now via Drag City, is Tim Presley’s first album in seven years — and it sounds freer and more expansive than ever. With Ty Segall again in the producer’s chair, these songs are built for electricity, celebrating melody whilst unafraid to show hurt, fear, and despair. There is an audible joy in the playing.
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